
I promise what they all promise,
those makers of promises—
to love, and, because it’s not these days
politic to say obey, to offer
instead a modest agreement
to not refuse to take the refuse out
or deliver a cup of coffee
to the morning bed. I promise
to love you until all talk between us
turns to grunt and sigh and barter,
until one of us thrashes all night
slugging the senseless pillow
until dawn. For now, let us
agree which lights to leave lit,
who will water which plants, who
dust when avoiding dusting
becomes a hazard. And let us promise
Sundays, when we’ll sleep till noon
and, later, each of us on our separate phones,
read snippets of the world’s
catastrophes and complaints.
Then maybe croissants, some coffee,
the sunlight leaning on its elbows
at the windowsill, studying our expressions,
wondering how we survive each other,
while the soundtrack shifts from your song
to mine—cello to power-chord—and back,
then a song we both tolerate though neither
with any enthusiasm. All this I promise—
as vague a promise as can qualify
as promise, but a promise I’d make no other.
At least not now. At least not here.

Jon Davis is the author of six chapbooks and seven full-length poetry collections, including Above the Bejeweled City (Grid Books 2021) and Choose Your Own America (FLP 2022). Davis also co-translated Iraqi poet Naseer Hassan’s Dayplaces (Tebot Bach 2017). He has received a Lannan Literary Award, the Lavan Prize, and two National Endowment for the Arts Fellowships. He taught for 28 years at the Institute of American Indian Arts and founded, in 2013, the IAIA low residency M.F.A. in Creative Writing, which he directed until his retirement in 2018.
Image: “menu” by Shane Allison




