
for a creative writing job. At the time,
I was doing security where all of the guys,
except me, wore bulletproof vests, but
I couldn’t afford one and you had to buy it
yourself, so I just figured if I got shot, it
would be meant to be, and so a creative
writing job would have been like winning
the lottery, but they told me that they
weren’t hiring any white males and I
said I was mixed and they said, “What?”
and I said I was mixed, and they said
they thought I was white and I said I’m
poor too, and they said that poor doesn’t
count, and I asked them if it’s OK if I’m
mixed and they said five hundred people
had applied for the job and I asked how
I made it this far and they said they liked
my poems and one woman on the hiring
committee said, “Except they lack grace,”
and I said, “What’s grace?” And she said,
“Exactly. It’s nowhere near what’s in your
poems.” And I asked what grace was, as I
wasn’t understanding, and they basically
said it’s a Christian term meaning that you
won the lottery and I told them that if I can
get a job with no bullets anywhere near my
body, then every poem I ever write again
will probably be jam-packed full of grace,
but they didn’t hire me.

Ron Riekki’s books include Blood/Not Blood Then the Gates (Middle West Press, poetry), My Ancestors are Reindeer Herders and I Am Melting in Extinction (Loyola University Maryland’s Apprentice House Press, hybrid), Posttraumatic (Hoot N Waddle, nonfiction), and U.P. (Ghost Road Press, fiction). Right now, Riekki’s listening to Belle and Sebastian’s “Funny Little Frog.”
Image: “anthropomorphic pill study 1” by Nicole Monroe




