
In an editor’s wet dream, this could have been
Korea or China or Japan or anywhere
the limb slaughter & sweet sink of teeth
turn into pearly instrumentals. Transplanted,
of course, into the graying Midwestern oyster,
belts bioluminescent in the corporate coral.
The image is silly, of course. We are nowhere near
the sea & do not possess the ability to properly
drown ourselves the way sweet daughters must.
When their families lose everything that shouldn’t
have been theirs. This is no fable of freedom,
a crying father with his dusty glasses chucked
across the garden of green onion sprouts.
After, I run my fingers through the clocks &
love them more. It is suburban superposition,
shaping these degrees with two hands &
five half-assed poems. Someone palms the grass,
reassuring the crowd that they are enough.

Jenny Chu is from Dallas. Her work previously appears or is forthcoming in Pithead Chapel, BRAWL Lit, and Boundby. She believes in the magic of Swedish Fish and her friends.
Image: “Back Patio Skylight” by Alex J. Tunney




