
Is this how every friendship ends? Bite
-size texts, grinning cat emojis replace
hour-long threads I’ve never deleted;
blue bubbles air stacked over
spheres of gray chat. I pretend
you’re overcommitted: scoring by hand
the strokes of six hundred junior golfers,
driving to Springfield to buy an amber
bulb to fit the socket of my dead Mom’s
lamp, never begrudging time
as currency. When I think till death
do us, it isn’t with our husbands
—they die before we do,
but our houses a stone’s throw,
rooms of our own to read, spread out,
have sex with widowers.
Evenings, we drink Fat Boy Zinfandel
on adjoining patios, retell stories
from our careers: how we met
at the printer station, you jammed
all the trays, Just unplug, lift
and separate, I joked.
You complimented a pale yellow pantsuit
I wore for performance reviews
and client meetings, even in winter—
you said it was cool.
Working from a double-wide cube
was like eight hours of bottomless
margs and free baskets of chips
—we never wanted to go home.
You crafted the copy, I took it on stage.
Got a twelve percent raise, highest
in the department, bought a holly tree
so the birds in your yard had food
in winter: fruit, crushed
egg shells. Do you refill the feeder?
I dream my way to a fancy job
in California, share everything:
surfing, solar panels, mad traffic,
you LOL after I drive an hour
to a new friend who cancels,
sad smiley when a guy grabs my purse
at Chevron. I invite you to drink Zin
on the beach, you miss the plane.
I don’t ask why. I wish we’d have sparred,
my phone a screen of red missed calls,
this mailbox is full drowned out by podcasts
I play so I hear voices on my patio.
I think of us someplace else:
a vineyard and a bench
of books, your unread text
pinned to the top.

Susan Kolon is a Chicago-based writer. She spent a decade wandering the marketing halls of corporate America, dispelling stories about children, catalogs and candy. You can find her work with Four Tulips, Quarter Press, Anti-Heroin Chic, Stanchion, and elsewhere.
Image: “Modern Communication” by Alex J. Tunney




